This highly unusual watercolour is a superb example of trompe l’oeil. The picture presents an eclectic, absurdist scene: a stalk of corn, laden with ripe cobs and sprouting maize flowers, shoots from an abstracted coastal landscape. The stalk is visited by several brightly-coloured birds and, incongruously, a seemingly agitated crab. In the distance, a figure in primitive dress holds a spear, while a small village marks the horizon. The composition is ‘laid’ on a sheet of paper, which in turn is set on a fictive wooden board—the sheet, pinned by illusory nails, lifting at the corners.
The watercolour is signed and dated lower right ‘Simon Birch. 1951.’ and is contained by a fine hardwood frame.